SCIAMANO (english)

 

Shaman has special features, in fact is a guitar with nylon strings, flamenco trim but with very tight neck, with acoustic setting

diapason is larger than the classic standard, so you can have a very low action, minimizing the buzz effect (striking the strings)

back and side are in ebony de makassar, figurative but linear, with beautifully defined and harmonious chromatic tones. The maple-ebony-maple thread, binding rosewood santos.

Top is cedar while the back and side is in rosewood, as can be seen from the image, the bridge is only 7 mm high and the armboard has been chained in traction. This allows you to have the strings much closer to the hole, so the harmonic case will be perceived and then reproduced evenly audible nuances. Getting more complete sound and wider frequency range.

As you can see in this picture, the capotor is equipped with compensations so you can get a tune to perfection (you will know that it's utopian to have a perfect pitch instrument) The keyboard is ebony and has 24 soft-key buttons.

The sound has a surprising, enveloping and warm immediacy but at the same time with sustained, a guitar to perform high technical performance. The painting is nitrocellulose, I always apply a very thin film, so it is very delicate but the advantage is that the acoustic yield is high (the paint makes a noise)

The amplification is a system created by Carlos Juan Amplification, in practice the Vip Vincente double flamenco system.

SPECIFICATION

top - western cedar

back and side - makassar ebony

fretboard - ebony

Bridge - rosewood

handplate -ebony

Binding - polo santos

tuners - rubner

Finish - nitrocellulose

Amplification - carlos juan VIP flamenco double