MOSTAR (english)

Designed to have a lightweight, intangible tool in the hands, the presence of an adjustable bridge (tune or matic) allows you to make impeccable settings.
In addition, the absence of the central hub greatly reduces the larsen effect during amplification execution.

The designer, as far as he is concerned, is always in the classical concept.

The case compared to a standard flamenco is much narrower. Obviously the sound has its own peculiarity, which in the end is what I wanted.

Is poor as finishes and details, although it has its charm.

In this photo you can see the back, the wood used for back and side is the mutene, an exotic wood with very similar characteristics to rosewood. It's the first time I use it to build bands and bottom and I have to admit that I will use it again as it allows you to work safely and with the awareness of getting a certain result.

For the headstock I used my personal shape, which is also the one that has Andalusia.

The neck is in cedar and the rosewood fretboard. To best neck a very low diapason, the scale of this guitar is 66.5 cm.

The top, as it is denoted by this photo, is spotted. A fabulous wood for me, who is not always lucky to find (beautiful and speculative) the strings are hard tension.

One of the peculiarities beyond the bridge, is the hanging of the handle. I preferred this form to have more ergonomics in the handle at the top of the keyboard.

In this photo you can see the jumper, completely in rosewood and bone-crowned toothed ones. The handle attachment is at the 14th key, while the head width is 51 mm.

I hope you enjoy.

SPECIFICATION 

top: spruce fiamme maschiato

back and side: walnut or walnut daniela

fretboard: Indian Rosewood

Bridge (tune or matic type): rosewood

seaddle: 51 mm

Width to 14th button: 61 mm

Diapason: 65.5 cm

Binding: rosewood

Amplification: b-band