FLORENTINE BLUE (english)
Florentine was born almost for game, inspired by the one used by John Mclaughlin or Wechter. Unfortunately for an unpleasant episode I had to make small changes to make it more personal and less resembling the original one day as I received an e-mail from mr. ABRAHAM WECHTER telling me that you are not really happy to see in my site many guitars very similar to his model. (See Aetna, Florentine Fir or Florentine 2012). Resolving the embarrassment of no two, Mr. Wechter has proved to be a very friendly person and has been paid in appreciation for my production
Florentine is a crossover that many people know about being played by great chiarities and because let's say it is really a great tool. To build this guitar I used the top engelman for spruce while for background and rosewood bands of Madagascar.
All inlays are in lapis lazy stone while the rosewood binds. In this model I accentuated the depths of the lily on the palette and inlaid one of them in acerp flaming in the bundling bands giving it that extra touch of elegance.
The guitar mounts a Carlos double mic amplifier system. The cedar handle has an ergonomic anatomy, the width at the top is 48.5 mm while on the keyboard at the 5th button I inlaid a further lily in the mother pearl.
The black ebony keyboard with full blackness and careful attention during processing makes the florentine blue a truly top tool.
Florentine is a crossover that many people know about being played by great chiarities and because let's say it is really a great tool. To build this guitar I used the top engelman for spruce while for background and rosewood bands of Madagascar.
All inlays are in lapis lazy stone while the rosewood binds. In this model I accentuated the depths of the lily on the palette and inlaid one of them in acerp flaming in the bundling bands giving it that extra touch of elegance.
The guitar mounts a Carlos double mic amplifier system. The cedar handle has an ergonomic anatomy, the width at the top is 48.5 mm while on the keyboard at the 5th button I inlaid a further lily in the mother pearl.
The black ebony keyboard with full blackness and careful attention during processing makes the florentine blue a truly top tool.
SPECIFICATION
Top - engelman spruce
back and side - madagascar rosewood
Neck - cedar
fretboard and bridge - ebony
Inlays - stone lapislazuli
Binding - Indian rosewood
Diapason 654 mm
nut width 48.5 mm (with compensation)
Mechanics rubner elegance
Top - engelman spruce
back and side - madagascar rosewood
Neck - cedar
fretboard and bridge - ebony
Inlays - stone lapislazuli
Binding - Indian rosewood
Diapason 654 mm
nut width 48.5 mm (with compensation)
Mechanics rubner elegance